Political cinema
Political cinema in the narrow sense of the term is a cinema which portrays current or historical events or social conditions in a partisan way in order to inform or to agitate the spectator. Political cinema exists in different forms such as documentaries, feature films, or even animated and experimental films.
The notion of political cinema
Political Cinema in the narrow sense of the term refers to political films which do not hide their political stance. This does not mean that they are necessarily pure propaganda. The difference to other films is not that they are political but how they show it.
Even ostensibly "apolitical" escapist films, which promise "mere entertainment" as an escape from everyday life, however, fulfill a political function. The authorities in Nazi Germany knew this very well and organized a large production of deliberately escapist movies.
In other entertainment movies, for example westerns, the ideological bias is evident in the distortion of historical reality. A "classical" western would rarely portray black cowboys, although there were a great many of them. Hollywood Cinema, or more generally speaking so called Dominant Cinema, was often accused of misrepresenting black, women, gays and working class people.
More fundamentally not only the content of individual films is political but also the institution of cinema itself. A huge number of people congregate not to act together or to talk to each other but, after having paid for it, to sit silently, to be spectators separated from each other. (Of course the behaviour of the public is not always the same in all countries.) Guy Debord, a critic of the society of the spectacle, for whom "separation is the alpha and omega of the spectacle" was therefore also violently opposed to Cinema, even though he would make several movies portraying his ideas.
Political cinema in the narrow sense of the term is a cinema which portrays current or historical events or social conditions in a partisan way in order to inform or to agitate the spectator. Political cinema exists in different forms such as documentaries, feature films, or even animated and experimental films.
The notion of political cinema
Political Cinema in the narrow sense of the term refers to political films which do not hide their political stance. This does not mean that they are necessarily pure propaganda. The difference to other films is not that they are political but how they show it.
Even ostensibly "apolitical" escapist films, which promise "mere entertainment" as an escape from everyday life, however, fulfill a political function. The authorities in Nazi Germany knew this very well and organized a large production of deliberately escapist movies.
In other entertainment movies, for example westerns, the ideological bias is evident in the distortion of historical reality. A "classical" western would rarely portray black cowboys, although there were a great many of them. Hollywood Cinema, or more generally speaking so called Dominant Cinema, was often accused of misrepresenting black, women, gays and working class people.
More fundamentally not only the content of individual films is political but also the institution of cinema itself. A huge number of people congregate not to act together or to talk to each other but, after having paid for it, to sit silently, to be spectators separated from each other. (Of course the behaviour of the public is not always the same in all countries.) Guy Debord, a critic of the society of the spectacle, for whom "separation is the alpha and omega of the spectacle" was therefore also violently opposed to Cinema, even though he would make several movies portraying his ideas.
